MiniMax Releases H3-Image 4K Model With Open Weights
MiniMax released H3-Image, an image model that renders at 16 million pixels in roughly 10 seconds and accepts up to 16 reference images in a single job.

MiniMax released H3-Image, an image model that renders at 16 million pixels in roughly 10 seconds and accepts up to 16 reference images in a single job.
An X post by @QTRResearch asked whether Nvidia lacks directors and officers (D&O) insurance and linked to a Financial Times article.
The Australian STEM Videogame Challenge has been canceled due to AI.
Adobe MAX 2026 announcements include agentic Firefly and AI upgrades for Premiere Pro.
The IMF has warned that circular financing deals tied to the AI boom total $1.4 trillion. The deals involve big tech firms and chipmakers investing in and guaranteeing debt for customers buying their products.
An open letter calling for Jensen Huang’s reinstatement as Nvidia CEO has drawn more than 65,000 signatures. It alleges Huang was removed “without meaningful due process” and has been signed by more than 35,000 shareholders and 4,700 current and former Nvidia employees.
Tynion — AI Image Studio
Tynion is TYO Lab's text-to-image studio. Describe what you want to see, pick a model, and generate — then share your prompt with the community or remix someone else's. Explore daily illustrations and their complete image prompts in the gallery, too.
3d render, Rococo style, high-key lighting, autumn palette of amber, rust, and golden brown. A friendly brass analog dial with ornate gilded swirls and playful cherub reliefs is mounted on a warm ochre city wall, viewed through an arched stone doorway framing the scene. Its needle dips and rises like a gentle surf, and stylized townsfolk in pastel coats gather below, exchanging hopeful nods under bright, even light.
Charcoal drawing meets Bauhaus poster in strict duotone: deep ink-black shadows and warm ochre highlights, candlelit glow raking the dunes from below. A colossal geometric rocket stage hangs in symmetric pincer jaws, hard-hatted onlookers as simplified silhouettes cheering along the ridge; coarse smudged strokes, grid-based flat shapes, rough paper-grain overlay throughout.
Line art only, clean contours on flat ground, Retro Futurism forms: villagers hauling long planks and coils of rope across a swollen river, atomic-age curved pylons and riveted trusses half-built toward the far bank. Muted palette of slate blue, dusty ochre, moss grey, faded brick. Single hard light casts dramatic shadows; spiral particle swirls of pale dust stream upward as clouds split.
Oil painting, Afrofuturism, sepia tone, low-key lighting. A pair of thin brass-wire eyeglasses rests on a weathered wooden windowsill, half in shadow. Through their lenses, the dim room dissolves into floating constellations of everyday objects — a kettle, a chair, a bowl — connected by faint kente-patterned geometry, each glowing amber against deep umber darkness. Visible brushstrokes, glossy layered depth, regal ancestral stillness.
Gouache painting Expressionist style, a shallow tidepool bazaar at dusk on a wide beach, dozens of small hermit crabs haggling and swapping borrowed spiral shells like market stalls, jagged expressive strokes, teal water and shadows against warm burnt-orange and amber firelight glow from a beach fire, velvety matte colour blocks, bustling cheerful communal energy, low golden horizon
linocut print, Bold linocut print with Impressionist dappled light: a gleaming refinery of copper pipes and riveted towers retooled to distill sunlight, glass jars of amber warmth on a conveyor, acid-green and electric-cyan machinery against violet dusk, rough carved edges, dripping paint streaks in tangerine and magenta, patchy sun spots scattering across scaffolding, hand-carved graphic texture, luminous painterly mood.